DSP examples

When you first start out in audio, or perhaps you’re moving beyond the rank of an intermediate producer, terminologies and styles of DSP begin to have greater meaning. One of the most common terms coined by engineers is  Linear Phase .

Download this easy to use formula to produce the  Linear Phase  effect.
Used within FL studio: It enables you to avoid dissonance, phase cancellation and common problems overlooked by DAW engineers.
Like pitching vocals? Had problems pitching and the quality wasn’t right?
The solution is  Linear Phase .

Stereo width will often be explained by those who omit that  stereo width  can only be a bipolar value.

But then, where that value started is more a matter of phase than stereo separation.
Learn two ways to employ stereo width, one possibly the world’s most optimized; and the other a compact double precision model that may improve upon the dynamic of a stereo signal, helping it to gain more transience and complexity during compression and attack.

Robert Bristow Johnson many years ago released a great formula for an EQ filter. Try this one.

This  Peaking EQ filter  uses various methods to improve the filter’s efficiency, and it avoids some problems with zipping in original ways. Furthermore; the way in which green (float) math is dealt with is fairly innovative.

Gain some understanding with this forward thinking schematic; compatible with flowstone 3.0.8 and higher.

 Stereo Width  is hard to cater to in DSP. Try something beyond any tech out there.

Learn a practical, easy method (once you get your head around it) that uses less cpu using only peaking filters. Seems impossible? It isn’t.

 Auto Makeup  from DSPplug!

Most professional companies say they can provide auto makeup but can they really? Doubtful. Here’s something that works.

 Limiting  is necessary.!

Limiting is something that most products can not do without. Here is an auto makeup limiter that defies most standards of quality, yet it uses too much CPU to be something which could be utilized many times.

 Limiting  with the smooth is profound.!

While the other hard compressor is cool, the smooth does it with less CPU and it is very modern.

Simple knobs is often easier said than done. Try these though, pretty good.
With double click support that’s popup menu and dropdown list friendly, you’ll be able to cater to touch screens with ease and class.
Bi-[plar, subtractive, mid/side and stereo width versions included ready to go. Haven’t tested in automation but they’re nice.

Proof that optimizing can be done so many different ways, and that just because a certain method is respected does not make it the best or most efficient.

Most filters only affect 21K at the most, so how can you make sure that your GUI’s grid and placement of bells, bands filter on a logarithmic grid look the same?

Hard to find dynamic filters that sound pure. this one does. Nice and clean. Based on a Robert Bristow johnson Filter

I changed a filter by Martin Vicanek, in hopes that it will support different sample rates. I optimized it and it should suffice.

Here’s two versions of a stereo haas effect, one with code and another with assembly language so to better learn from and review.

The Esquire3 will change the way you see flowstone. A Ruby-based GUI, Extremely efficient DSP and original concepts await you. MIT Licensed.

The Esquire3 is pretty good, but it can be better. That requires a stronger brickwall limiter, like this one.

This example will work well with the above compressor to create a perfect dbtp limiter, can work alone but doesn’t sound as ideal as it could.

Here is straight math which will allow you to create two kinds of log10 realtime controls. They can be used fro applying gain or reducing gain in various ways. The results is quite natural. These specific examples are designed to emulate a brickwall limiter. But the effect is less desirable.

Here is straight math which will allow you to create two kinds of log10 realtime controls. They can be used fro applying gain or reducing gain in various ways. The results is quite natural. These specific examples are designed to emulate a brickwall limiter. But the effect is less desirable.

A simple vocal gate. Watch the video to understand more about gates.

One of the better product suites by DSPplug, learn from schematics so to make software like the pros.

Make a realtime TP limiter, using a unique mid-side based method!

Make a realtime Noise Suppression plug-in!

A M/S limiter plug-in for you to use / play with!

Provide commercial key codes which can check against a computer name and a custom cipher (29 characters)

This is one of the more complicated design schemas available online.

This is the most sophisticated flowstone mouseover support available. It is also the most complete GUI resize option that is stable for vst’s made with flowstone.