You often will want to add a little bit of automation, and after you’ve mastered; you do not want to add any volume but you wish to take away.
Here’s a simple tool that offers that capability which also doubles as being able to very simply improve the presence of a vocal or a set. You can change the frequency from 1000hz to 4500hz and, using an RBJ first order peaking filter (that has been highly optimized so as to not make noise while automating) you can improve the sense and sound of presence.
You can very easily make it sounds like the speaker is directly adjacent to the microphone with this tool.
Furthermore, using a physical principle coined as rarefaction; a method that mimicks the act of compression breakpoints and bas convolution and tenacious nature; rather than a thickened bass (as has become popular in this day and age) you will instead recieve a very perpetual thin, realistic bass that is carefully designed so as to ensure that the bass is the last thing you hear. Just like in nature.
This entitles the end user to use this plug-in on every trck and channel so as to not just add a little presence, automation and placement; but also a means to add a smooth, natural sound that is the product a hard working DSP engineer’s set of working theories put into practise.
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